Katy Perry had one of the biggest singles of the year with “Dark Horse,” an explicit homage to trap featuring genre pioneer Juicy J, while Beyoncé and Jay-Z scaled the charts with “Drunk in Love.”īut as much as it reflected trap’s move to the fore, “Habits” also doubled down on the stripped-back self-reflection of “Royals,” an indication of pop audiences’ further willingness to take on more ponderous subject matter. Tove Lo’s left-field hit “Habits (Stay High)” drew generously from the slow, grim drawl of trap music which, after gestating as a niche hip-hop genre during EDM’s rise, became mainstream pop’s newest touchstone in 2014. “TiK ToK” emptomized the sound of pop of the early 2010s-straightforward, unencumbered dance music-which, in 2019, feels quite a bit more than a decade down the old town road. “I’m gonna take my horse to the old town road,” crooned another surreptitiously fatalistic smash from the past year, “I’m gonna ride ‘til I can’t no more.”Ĭould this ominous pop era be further from the one that ushered this decade in? The biggest hit of 2010 was “TiK ToK”-as in, “on the clock but the party don’t stop!-a debaucherous, dance-pop thrill ride rap-sung into a vocoder by Kesha, who brushed her teeth with Jack Daniels before leaving the house to take over the world.

“Everything I Wanted,” though, is also emblematic of the pop’s disposition in these dwindling years of the 2010s: downtempo, sullen, genreless music reflective of the demolished cultural boundaries of the internet and a lurking sense of isolation and doom.

“It might have been a nightmare.” Pretty harsh stuff from 2019’s teen idol!

“I had a dream I got everything I wanted / Not what you’d think if I’m being honest,” whimpers Eilish. Mostly, with its muted palette and whispered vocals, “Everything I Wanted” sounds like it was recorded under a blanket, hiding from the world. Last month, pop superstar Billie Eilish released a single called “Everything I Wanted.” It draws on some obvious touchstones of pop’s last decade: Drake at his most inward-facing, Lorde at her most defeated, Lana’s morose murmur.

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